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avatar for Nancy J Scharlau Murman

Nancy J Scharlau Murman

CRAS
Audio Instructor
Phoenix, Arizona
I've been an audio educator for over 20 years @ the Conservatory of Recording Arts and Sciences, in Tempe Arizona.  Prior to that, I lived and worked in San Francisco at Different Fur and ran a mobile recording service.  I'm excited to learn more about immersive audio, broadcast and mastering.

Monday, October 11
 

12:15pm EDT

1:15pm EDT

2:00pm EDT

4:00pm EDT

 
Tuesday, October 12
 

1:00pm EDT

2:30pm EDT

 
Wednesday, October 13
 

1:00pm EDT

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3:00pm EDT

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5:00pm EDT

 
Saturday, October 16
 

2:00pm EDT

 
Wednesday, October 20
 

11:00am EDT

12:00pm EDT

12:15pm EDT

1:30pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

6:30pm EDT

7:30pm EDT

8:30pm EDT

 
Thursday, October 21
 

11:00am EDT

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1:00pm EDT

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Friday, October 22
 

11:00am EDT

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2:15pm EDT

3:00pm EDT

5:00pm EDT

7:00pm EDT

8:00pm EDT

 
Saturday, October 23
 

11:30am EDT

1:00pm EDT

1:30pm EDT

4:00pm EDT

5:00pm EDT

6:30pm EDT

 
Tuesday, October 26
 

1:00pm EDT

3:00pm EDT

 
Wednesday, October 27
 

11:00am EDT

12:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Audio Watermarking Technique Integrating Spread Spectrum and CNN-autoencoder On-DemandNoha Korany • Namat Elboghdadly • Mohamed Elabdein Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Integrating Vibrato Into Artificial Reverberation On-DemandSarah R. Smith • Senyuan Fan MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Transdisciplinarity in Sound Design and Music Composition for Film Post-Production: an Experiential Remote Learning Case Study On-DemandRodrigo Meirelles • Fernanda Navarro • Janaki Cedanna Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox
 
Friday, October 29
 

9:00pm EDT

 
Sunday, October 31
 

11:00am EDT

2:00pm EDT

5:00pm EDT

 
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