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Dan Smith

Studio Open House
Sound Engineer | Owner
Montreal, Canada
Websitestudioopenhouse.com

Located on the South Shore of Montreal Canada, Studio Open House specializes in audio production, post-production and training. We work with clients from all walks of life who share our passion for audio.
Monday, October 11
 

11:15am EDT

Dead Tech: Is Anything Ever Really Obsolete? StreamcastMichael Bierylo • Devine Lu Linvega • Brian Crabtree

12:15pm EDT

MIDI 2.0: What’s New and How it Will Affect the Way We Work StreamcastJennifer Hruska • Rick Cohen • Mike Kent • Dave Smith

1:15pm EDT

AES TechTour: The Power Station/Berklee NYC StreamcastRoy Hendrickson • Gloria Kaba • Ian Kagey • Stephen Webber

3:00pm EDT

Keynote: The Soul of the Machine: Do Electronic Instruments Have a Personality? A Conversation with Dave Smith and Marcus Ryle StreamcastMarcus Ryle • Dave Smith
 
Tuesday, October 12
 

12:00pm EDT

AES Technical Committee for Spatial Audio
 
Tuesday, October 19
 

12:00pm EDT

AES Technical Committee on Hearing and Hearing Loss Prevention
 
Wednesday, October 20
 

11:00am EDT

Fraunhofer Presentation Stream A

12:00pm EDT

Opening Ceremonies Stream A

12:15pm EDT

All About Stereo Panning Stream AUfuk Onen

1:30pm EDT

Best Paper: Perceptual Evaluation of Interior Panning Algorithms Using Static Auditory Events Stream AThomas Robotham • Andreas Silzle • Anamaria Nastasa • Alan Pawlak • Juergen Herre

3:00pm EDT

The Secret Life of Low Frequencies Stream BBruce Black 4 Bars and More: The Techniques Behind Arranging EDM Stream ARick Snoman

4:00pm EDT

NFT Tutorial: “Let’s Drop An NFT!” Stream AElijah Walsh • LA+CH • Matt Gondek • White Lights

5:00pm EDT

Case Study: Distance Collaboration Demonstration with the Blue Note Entertainment Group Stream BPatrick Killianey

6:00pm EDT

Audio in the WAN / Cloud Stream BNicolas Sturmel

6:30pm EDT

Case Studies: Innovative Live Sound Design with the Dante AV-over-IP Solution Stream BBernard Farkus • Kathryn Taub

7:30pm EDT

Avoiding the Pigeon-Hole Stream BPaul Womack • Stephen Dent • Jeanne Montalvo Lucar • Neal Pogue

8:30pm EDT

Next Generation Audio for Advanced Music Creations and Distributions - Part 2 Stream BKimio Hamasaki • Toru Kamekawa • Hideo Irimajiri • Kazuya Nagae
 
Thursday, October 21
 

11:00am EDT

A Deep Dive into DAW Digits: Can Floating Point Save You? Stream AJamie Angus-Whiteoak • Bob Stuart

12:00pm EDT

Loudspeaker Work-Bench Measurements Stream ASimon Steiner • Wolfgang Klippel

1:00pm EDT

Platinum Engineers Stream ARafa Sardina • Roland Gajate-Garcia • Alan Meyerson • Arturo O’Farrill

2:00pm EDT

Keynote: Poppy Crum - Enhancing Human Capabilities: A Sound Future Stream APoppy Crum

3:00pm EDT

Guidelines for Stream Loudness Stream ADavid Bialik • Rob Byers • Eelco Grimm • Bob Katz • John Kean • Scott Norcross • Roy Orban • Jim Starzynski

6:00pm EDT

Case Studies: Deploying Audio Networks for Live Sound Applications Using Milan Stream BRichard Bugg • Christoph Hellmuth • Morten Lave • Scott Sugden

7:00pm EDT

Tutorial: What does it take to write a paper for the Journal of the Audio Engineering Society? Stream BRob Maher • Joshua Reiss • Vesa Valimaki • Bozena Kostek

8:00pm EDT

New Developments In Small Room Acoustics – Accent of The “e-Studio” + Innovative Predictive Software e.g. NIRO™ Stream BJohn M. Storyk • Peter D'Antonio • Rob Jaczko • David Molho • Rinaldi Petrolli
 
Friday, October 22
 

11:00am EDT

The Recording Academy P&E Wing presents "Whose Job Is It Anyway?" Stream A

12:00pm EDT

Streaming: Mastering, Preparation, Aggregation, Distribution and Delivery of Files Stream AAnna Frick • Bob Katz • Robert D'Amico • Anna Held • Buddy Judge • Dan Mackta • Kevin Moo • Andreas Rossholm • Shawn Singh

2:00pm EDT

Keynote: John McBride with Chuck Ainlay Stream AChuck Ainlay • John McBride

2:15pm EDT

Examining the tools and techniques for live performance in a DAW Stream BPaul Hunter

3:00pm EDT

Evolving Production Trends Stream AAngela Piva • Marioso DeJesus • Christal Jerez • Paul Womack

4:00pm EDT

Alicia Keys: Immersive Re-Imagining Stream BBrian (Bt) Gibbs • George Massenburg • Ann Mincieli • Michael Romanowski • Eric Schilling

5:00pm EDT

It’s not just audio anymore – understanding how to mix audio, with lighting and video Stream AEmily Bishai • Alex Kosiorek • Eric Romani

6:00pm EDT

"It SOUNDS Just Like a Telefunken U-47" Stream BKaren Kosowski • Mark Rubel

7:00pm EDT

How to Teach Music Mixing Stream BRichard King • Alex Case • George Massenburg • Susan Rogers

7:30pm EDT

Remote Podcast Production: How New Audio Technologies are Opening the Door to More Storytelling Stream ASue Zizza • David Shinn • Todd Ant • Marc Ernay • Jennifer Jiles • Jack Mulcahy

8:00pm EDT

Tickets For Doomsday - A discussion of a reissue from capture to shrink-wrap Stream BJason Bitner • Jenn D’eugenio • Margaret K. Luthar • Maria Rice
 
Saturday, October 23
 

11:30am EDT

Sensational Envelopment Stream AThomas Lund

1:30pm EDT

Platinum Mastering: Mastering Immersive Audio Stream AMichael Romanowski • Stefan Bock • Gavin Lurssen • Darcy Proper

3:00pm EDT

What Defines 'Audio for Cinema' - State of Play Stream BKathleen Ying-Ying Zhang • Mark Camperell • Matt Kulewicz • Adam Michalak • Ryan Young Anatomy of a Hit Album Under Quarantine - Harmonium Symphonique Stream ABrian (Bt) Gibbs • Serge Fiori • Charles-Émile Beaudin • Reuben Cohen • Simon Leclerc • Gavin Lurssen • Rick Winquest

6:30pm EDT

Hip-Hop Mixing for a Theater Audience Stream BArmand Jennings • Mikal Amin • Baba Israel

7:30pm EDT

Understanding Audio for SMPTE 2110 Stream BPaul Briscoe • Andy Butler
 
Tuesday, October 26
 

11:00am EDT

Envelopment in Immersive Productions Stream ALasse Nipkow

12:00pm EDT

The new Spatial Audio Designer Vers. 3.0 upgrade Stream ATom Ammermann

12:35pm EDT

AES TechTour: Worre Studios Stream ALarry Smith • Ryan Durham

1:00pm EDT

Immersive Monitoring Inside Immersive Mixing Stream AWill Eggleston

2:00pm EDT

Multi-microphone setups for music, using beamforming technology from single Ambisonics microphone arrays: from recording to mixing Stream AEduardo Patricio

3:00pm EDT

Hardware Monitoring Solutions in Immersive Stream AF. Reid Shippen • Jeri Palumbo • Ronald Prent • Jeremy Rodeschini • Paul Wolff
 
Wednesday, October 27
 

11:00am EDT

Spatial Audio Rendering for Interoperable XR Applications in the Audio Metaverse Stream AJean-Marc Jot • Mark Hertensteiner • Rémi Audfray

12:00pm EDT

Utilizing the ADM-OSC Streaming Protocol for Interoperability Among Immersive Audio Systems Stream AEtienne Corteel • Hervé Dejardin • Yvan Grabit • Hugo Larin • Guillaume Le Nost

1:00pm EDT

When stars come down to earth Stream ATom Ammermann

2:00pm EDT

Immersive Audio: Trends & Challenges Stream AHeather Rafter • Phil Wagner • Leslie Gaston-Bird • Mike Larson • Kevin Madigan

3:00pm EDT

Metasounds in Unreal5 Stream AAaron McLeran
 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Impression evaluation of mixed acoustic signals with different spatial acoustic characteristics On-DemandShota Okubo • Toshiharu Horiuchi Integrating Vibrato Into Artificial Reverberation On-DemandSarah R. Smith • Senyuan Fan MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDoyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Audio-Source Rendering on Flat-Panel Loudspeakers with Non-Uniform Boundary Conditions On-DemandMichael Heilemann • Tre DiPassio • Mark Bocko Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Best Paper On-Demand Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil G. Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Zhongran Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Implementing and Evaluating a Higher-order Ambisonic Sound System in a Multi-purpose Facility: A Lab Report On-DemandAnıl Çamcı • Sam Smith • Seth Helman Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDoyuen Ko • Jim Kaiser • Wesley Bulla Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox
 
Friday, October 29
 

9:00pm EDT

Deep Learning for Audio Signal Processing, with Python and Pytorch Examples Tutorial On-DemandRenato Profeta • Sascha Spors • Gerald Schuller Smaller, louder, smarter - loudspeaker design in the 21st century On-DemandGeorge Augspurger
 
Sunday, October 31
 

12:00pm EDT

AES TechTour: The Hideout Recording Studio StreamcastZoe Thrall • Kane Churko • Kevin Churko

2:00pm EDT

Immersive Audio in Education StreamcastMiles Fulwider • Paul Geluso • Leslie Gaston-Bird • Ed Tetrault

5:00pm EDT

AES TechTour: Grundman Mastering Stream A
 
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