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Dan Smith

Studio Open House
Sound Engineer | Owner
Montreal, Canada

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Located on the South Shore of Montreal Canada, Studio Open House specializes in audio production, post-production and training. We work with clients from all walks of life who share our passion for audio.
Monday, October 11
 

11:15am EDT

12:15pm EDT

1:15pm EDT

3:00pm EDT

 
Tuesday, October 12
 

12:00pm EDT

 
Tuesday, October 19
 

12:00pm EDT

 
Wednesday, October 20
 

11:00am EDT

12:00pm EDT

12:15pm EDT

1:30pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

6:30pm EDT

7:30pm EDT

8:30pm EDT

 
Thursday, October 21
 

11:00am EDT

12:00pm EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

6:00pm EDT

7:00pm EDT

8:00pm EDT

 
Friday, October 22
 

11:00am EDT

12:00pm EDT

2:00pm EDT

2:15pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

7:00pm EDT

7:30pm EDT

8:00pm EDT

 
Saturday, October 23
 

11:30am EDT

1:30pm EDT

3:00pm EDT

6:30pm EDT

7:30pm EDT

 
Tuesday, October 26
 

11:00am EDT

12:00pm EDT

12:35pm EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

 
Wednesday, October 27
 

11:00am EDT

12:00pm EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Impression evaluation of mixed acoustic signals with different spatial acoustic characteristics On-DemandShota Okubo • Toshiharu Horiuchi Integrating Vibrato Into Artificial Reverberation On-DemandSarah R. Smith • Senyuan Fan MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDr. Doyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Audio-Source Rendering on Flat-Panel Loudspeakers with Non-Uniform Boundary Conditions On-DemandMichael Heilemann • Tre DiPassio • Mark Bocko Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Best Paper On-Demand Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Implementing and Evaluating a Higher-order Ambisonic Sound System in a Multi-purpose Facility: A Lab Report On-DemandAnıl Çamcı • Sam Smith • Seth Helman Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDr. Doyuen Ko • Jim Kaiser • Wesley Bulla Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox
 
Friday, October 29
 

9:00pm EDT

 
Sunday, October 31
 

12:00pm EDT

2:00pm EDT

5:00pm EDT

 
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