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Jamie Baker

Hoboken Post LLC
Professor of Sound Design
United States

Contact Me

Monday, October 11
 

12:15pm EDT

1:15pm EDT

 
Tuesday, October 12
 

2:30pm EDT

 
Wednesday, October 13
 

11:30am EDT

2:00pm EDT

 
Saturday, October 16
 

2:00pm EDT

3:30pm EDT

 
Sunday, October 17
 

1:00pm EDT

2:30pm EDT

 
Tuesday, October 19
 

12:00pm EDT

 
Wednesday, October 20
 

12:15pm EDT

12:30pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

6:30pm EDT

7:30pm EDT

 
Thursday, October 21
 

11:00am EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

7:00pm EDT

8:00pm EDT

 
Friday, October 22
 

11:00am EDT

12:00pm EDT

2:00pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

7:00pm EDT

7:30pm EDT

8:00pm EDT

 
Saturday, October 23
 

11:30am EDT

1:30pm EDT

3:00pm EDT

4:00pm EDT

 
Tuesday, October 26
 

11:00am EDT

12:35pm EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

 
Wednesday, October 27
 

11:00am EDT

1:00pm EDT

2:00pm EDT

3:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Power Efficiency of Capacitive MEMS Speakers On-DemandLutz Ehrig • Hermann Schenk • Jorge Mario Monsalve Guaracao • Anton Melnikov Transdisciplinarity in Sound Design and Music Composition for Film Post-Production: an Experiential Remote Learning Case Study On-DemandRodrigo Meirelles • Fernanda Navarro • Janaki Cedanna Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk A Neural Beamforming Front-end for Distributed Microphone Arrays On-DemandJonathan Ziegler • Leon Schröder • Andreas Koch • Andreas Schilling Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Forensic Handling of User Generated Audio Recordings On-DemandRob Maher • Benjamin Miller • Fraser Robertson Mayflower & The Seven Seas: Sonification of The Ocean On-DemandEduardo Reck Miranda • Clive Mead • Dieter Hearle On the comparison of flown and ground-stacked subwoofer configurations regarding noise pollution On-DemandEtienne Corteel • Thomas Mouterde Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDr. Doyuen Ko • Jim Kaiser • Wesley Bulla Phoneme Mappings for Online Vocal Percussion Transcription On-DemandAlejandro Luezas • Charalampos Saitis • Mark Sandler Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox The effect of user's hands on mobile device frequency response, Part 1 On-DemandJuha Backman • Lauri Veko • Yuheng Jiang The influence of stage acoustics on the singers' performance and perception: A pilot study On-DemandKajornsak Kittimathaveenan • Munhum Park Tools For Visual Thinking: Teaching Electronic Music On-DemandGraham Spice
 
Friday, October 29
 

9:00pm EDT

 
Saturday, October 30
 

12:00pm EDT

12:30pm EDT

1:30pm EDT

2:30pm EDT

 
Sunday, October 31
 

11:00am EDT

12:00pm EDT

12:30pm EDT

2:00pm EDT

3:30pm EDT

 
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