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Jean-Marc Jot

Virtuel Works
Principal
United States
Websitehttps://sites.google.com/site/jmmjot/
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Virtuel Works provides audio technology strategy, IP creation and licensing services to help accelerate the development of audio and voice spatial computing and interoperability standards that will power our future ubiquitous copresence, remote collaboration or immersive music and entertainment experiences.
Monday, October 11
 

12:15pm EDT

MIDI 2.0: What’s New and How it Will Affect the Way We Work StreamcastJennifer Hruska • Rick Cohen • Mike Kent • Dave Smith
 
Tuesday, October 12
 

12:00pm EDT

AES Technical Committee for Spatial Audio
 
Wednesday, October 13
 

2:00pm EDT

Spatial Audio in Podcasting StreamcastRob Byers • Sandra Yee Ling • Matt Yocum • Bob Kellough

4:00pm EDT

Advantages of using Metadata StreamcastRobert Bleidt • John Kean
 
Tuesday, October 19
 

11:00am EDT

TC-MLAI Meeting
 
Wednesday, October 20
 

12:15pm EDT

All About Stereo Panning Stream AUfuk Onen

12:30pm EDT

Keynote: Peter Asher Stream APeter Asher

1:30pm EDT

Best Paper: Perceptual Evaluation of Interior Panning Algorithms Using Static Auditory Events Stream AThomas Robotham • Andreas Silzle • Anamaria Nastasa • Alan Pawlak • Jürgen Herre

3:00pm EDT

4 Bars and More: The Techniques Behind Arranging EDM Stream ARick Snoman

4:00pm EDT

NFT Tutorial: “Let’s Drop An NFT!” Stream AElijah Walsh • LA+CH • Matt Gondek • White Lights

5:00pm EDT

Case Study: Distance Collaboration Demonstration with the Blue Note Entertainment Group Stream BPatrick Killianey

6:00pm EDT

Audio in the WAN / Cloud Stream BNicolas Sturmel

6:30pm EDT

Case Studies: Innovative Live Sound Design with the Dante AV-over-IP Solution Stream BBernard Farkus • Kathryn Taub

7:30pm EDT

Avoiding the Pigeon-Hole Stream BPaul Womack • Stephen Dent • Jeanne Lucar • Neal Pogue

8:30pm EDT

Next Generation Audio for Advanced Music Creations and Distributions - Part 2 Stream BKimio Hamasaki • Toru Kamekawa • Hideo Irimajiri • Kazuya Nagae
 
Thursday, October 21
 

12:00pm EDT

Loudspeaker Work-Bench Measurements Stream ASimon Steiner • Wolfgang Klippel

2:00pm EDT

Keynote: Poppy Crum - Enhancing Human Capabilities: A Sound Future Stream APoppy Crum

7:00pm EDT

Tutorial: What does it take to write a paper for the Journal of the Audio Engineering Society? Stream BRob Maher • Joshua Reiss • Vesa Valimaki • Bozena Kostek
 
Friday, October 22
 

12:00pm EDT

Streaming: Mastering, Preparation, Aggregation, Distribution and Delivery of Files Stream AAnna Frick • Bob Katz • Robert D'Amico • Anna Held • Buddy Judge • Dan Mackta • Kevin Moo • Andreas Rossholm • Shawn Singh

2:00pm EDT

Keynote: John McBride with Chuck Ainlay Stream AChuck Ainlay • John McBride

2:15pm EDT

Examining the tools and techniques for live performance in a DAW Stream BPaul Hunter

3:00pm EDT

Evolving Production Trends Stream AAngela Piva • Marioso DeJesus • Christal Jerez • Paul Womack Heyser Memorial Lecture: Frequency Modulation Sound Synthesis Stream BJohn M. Chowning

4:00pm EDT

Alicia Keys: Immersive Re-Imagining Stream BBrian (Bt) Gibbs • George Massenburg • Ann Mincieli • Michael Romanowski • Eric Schilling Mastering Mastering Stream AMary Ann Zahorsky • Jett Galindo • Piper Payne • Maria Rice

5:00pm EDT

Keynote: FINNEAS with Jack Douglas Stream BJack Douglas • FINNEAS

6:00pm EDT

"It SOUNDS Just Like a Telefunken U-47" Stream BKaren Kosowski • Mark Rubel

7:00pm EDT

How to Teach Music Mixing Stream BRichard King • Alex Case • George Massenburg • Susan Rogers

7:30pm EDT

Remote Podcast Production: How New Audio Technologies are Opening the Door to More Storytelling Stream ASue Zizza • David Shinn • Todd Ant • Marc Ernay • Jennifer Jiles • Jack Mulcahy

8:00pm EDT

Tickets For Doomsday - A discussion of a reissue from capture to shrink-wrap Stream BJason Bitner • Jenn D’eugenio • Margaret K. Luthar • Maria Rice
 
Saturday, October 23
 

11:30am EDT

Sensational Envelopment Stream AThomas Lund

1:00pm EDT

Best Student Paper: InSE-NET: A Perceptually Coded Audio Quality Model based on CNN Stream AGuanxin Jiang • Arijit Biswas • Christian Bergler • Andreas Maier

1:30pm EDT

Platinum Mastering: Mastering Immersive Audio Stream AMichael Romanowski • Stefan Bock • Gavin Lurssen • Darcy Proper

4:00pm EDT

In-car Acoustic Measurements Stream AJayant Datta • Steve Temme • Hans Lahti • Stefan Irrgang Archiving Hip-Hop in Theory and Practice Stream BMaria Rice • Mark Campbell • Pacey Foster • Regan Sommer McCoy

6:30pm EDT

Hip-Hop Mixing for a Theater Audience Stream BArmand Jennings • Mikal Amin • Baba Israel

7:30pm EDT

Understanding Audio for SMPTE 2110 Stream BPaul Briscoe • Andy Butler
 
Tuesday, October 26
 

11:00am EDT

Envelopment in Immersive Productions Stream ALasse Nipkow

12:00pm EDT

The new Spatial Audio Designer Vers. 3.0 upgrade Stream ATom Ammermann

1:00pm EDT

Immersive Monitoring Inside Immersive Mixing Stream AWill Eggleston

2:00pm EDT

Multi-microphone setups for music, using beamforming technology from single Ambisonics microphone arrays: from recording to mixing Stream AEduardo Patricio

3:00pm EDT

Hardware Monitoring Solutions in Immersive Stream AF. Reid Shippen • Jeri Palumbo • Ronald Prent • Jeremy Rodeschini • Paul Wolff
 
Wednesday, October 27
 

11:00am EDT

Spatial Audio Rendering for Interoperable XR Applications in the Audio Metaverse Stream AJean-Marc Jot • Mark Hertensteiner • Rémi Audfray

12:00pm EDT

Utilizing the ADM-OSC Streaming Protocol for Interoperability Among Immersive Audio Systems Stream AEtienne Corteel • Hervé Dejardin • Yvan Grabit • Hugo Larin • Guillaume Le Nost

1:00pm EDT

When stars come down to earth Stream ATom Ammermann

2:00pm EDT

Immersive Audio: Trends & Challenges Stream AHeather Rafter • Phil Wagner • Leslie Gaston-Bird • Mike Larson • Kevin Madigan

3:00pm EDT

Metasounds in Unreal5 Stream AAaron McLeran
 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Integrating Vibrato Into Artificial Reverberation On-DemandSarah R. Smith • Senyuan Fan MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDr. Doyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Recreating complex soundscapes for audio quality evaluation On-DemandDamian Koszewski • Jan Banas • Przemyslaw Maziewski • Pawel Trella • Pawel Pach • Piotr Klinke • Dominik Stanczak • Maciej Kuklinowski Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman WaveBeat: End-to-end beat and downbeat tracking in the time domain On-DemandChristian J. Steinmetz • Joshua Reiss 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk A Neural Beamforming Front-end for Distributed Microphone Arrays On-DemandJonathan Ziegler • Leon Schröder • Andreas Koch • Andreas Schilling AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Analysis of a Unique Pingable Circuit: The Gamelan Resonator On-DemandEzra J. Teboul • Kurt James Werner Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Best Paper On-Demand Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil G. Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Deconvolution of Room Impulse Responses from Simultaneous Excitation of Loudspeakers On-DemandSunil G. Bharitkar Defining reverberation plugin structure: A comparative exploration of system design and expert knowledge in an audio education context On-DemandKevin Garland • Malachy Ronan Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Informed postprocessing for auditory roughness removal for low-bitrate audio coders On-DemandSteven Van De Par • Sascha Disch • Andreas Niedermeier • Bernd Edler Interactive Application to Control and Rapid-prototype in a Collaborative Immersive Environment On-DemandJonas Braasch • Samuel Chabot Phoneme Mappings for Online Vocal Percussion Transcription On-DemandAlejandro Luezas • Charalampos Saitis • Mark Sandler Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments On-DemandEoin Callery • Jonathan Abel • Kyle Spratt Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox Tools For Visual Thinking: Teaching Electronic Music On-DemandGraham Spice
 
Friday, October 29
 

9:00pm EDT

Deep Learning for Audio Signal Processing, with Python and Pytorch Examples Tutorial On-DemandRenato Profeta • Sascha Spors • Gerald Schuller Archiving the '90s (the '80s Edition) On-DemandJason Bitner • Eddie Ciletti • Dan Johnson • Kelly Pribble • Catherine Vericolli Smaller, louder, smarter - loudspeaker design in the 21st century On-DemandGeorge Augspurger
 
Sunday, October 31
 

2:00pm EDT

Immersive Audio in Education StreamcastMiles Fulwider • Paul Geluso • Leslie Gaston-Bird • Ed Tetrault

3:30pm EDT

DEI in Audio Engineering in Higher Education StreamcastJiayue Cecilia Wu • Gabe Herman • Brian Amado-Serrano • Ty Boyland • Agnieszka Roginska • Ashell Fox
 
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