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avatar for Jean-Marc Jot

Jean-Marc Jot

Virtuel Works LLC
Founder and Principal
Virtuel Works
Spatial audio and music technology expert and innovator. Virtuel Works provides audio technology strategy, IP creation and licensing services to help accelerate the development of audio and music spatial computing technology and interoperability solutions.

Monday, October 11
 

12:15pm EDT

 
Tuesday, October 12
 

12:00pm EDT

 
Wednesday, October 13
 

2:00pm EDT

4:00pm EDT

 
Tuesday, October 19
 

11:00am EDT

 
Wednesday, October 20
 

12:15pm EDT

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8:30pm EDT

 
Thursday, October 21
 

12:00pm EDT

2:00pm EDT

7:00pm EDT

 
Friday, October 22
 

12:00pm EDT

2:00pm EDT

2:15pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

7:00pm EDT

7:30pm EDT

8:00pm EDT

 
Saturday, October 23
 

11:30am EDT

1:00pm EDT

1:30pm EDT

4:00pm EDT

6:30pm EDT

7:30pm EDT

 
Tuesday, October 26
 

11:00am EDT

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3:00pm EDT

 
Wednesday, October 27
 

11:00am EDT

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3:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Integrating Vibrato Into Artificial Reverberation On-DemandSarah R. Smith • Senyuan Fan MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDoyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Recreating complex soundscapes for audio quality evaluation On-DemandDamian Koszewski • Jan Banas • Przemyslaw Maziewski • Pawel Trella • Pawel Pach • Piotr Klinke • Dominik Stanczak • Maciej Kuklinowski Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman WaveBeat: End-to-end beat and downbeat tracking in the time domain On-DemandChristian Steinmetz • Joshua Reiss 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk A Neural Beamforming Front-end for Distributed Microphone Arrays On-DemandJonathan Ziegler • Leon Schröder • Andreas Koch • Andreas Schilling AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Analysis of a Unique Pingable Circuit: The Gamelan Resonator On-DemandEzra J. Teboul • Kurt James Werner Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Best Paper On-Demand Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil G. Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Zhongran Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Deconvolution of Room Impulse Responses from Simultaneous Excitation of Loudspeakers On-DemandSunil G. Bharitkar Defining reverberation plugin structure: A comparative exploration of system design and expert knowledge in an audio education context On-DemandKevin Garland • Malachy Ronan Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Informed postprocessing for auditory roughness removal for low-bitrate audio coders On-DemandSteven Van De Par • Sascha Disch • Andreas Niedermeier • Bernd Edler Interactive Application to Control and Rapid-prototype in a Collaborative Immersive Environment On-DemandJonas Braasch • Samuel Chabot Phoneme Mappings for Online Vocal Percussion Transcription On-DemandAlejandro Luezas • Charalampos Saitis • Mark Sandler Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments On-DemandEoin Callery • Jonathan Abel • Kyle Spratt Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox Tools For Visual Thinking: Teaching Electronic Music On-DemandGraham Spice
 
Friday, October 29
 

9:00pm EDT

 
Sunday, October 31
 

2:00pm EDT

3:30pm EDT

 
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