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Maximilien Hein

Audio Engineer
Brooklyn, NY
I am a Brooklyn-based Audio Engineer pursuing his masters degree in Music Technology from New York University. My experience lies in recording, mixing, and mastering in hybrid analog-digital studio environments.
Monday, October 11
 

11:15am EDT

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1:15pm EDT

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Tuesday, October 12
 

2:30pm EDT

 
Wednesday, October 13
 

1:00pm EDT

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4:00pm EDT

 
Saturday, October 16
 

3:30pm EDT

 
Sunday, October 17
 

1:00pm EDT

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Wednesday, October 20
 

12:15pm EDT

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7:30pm EDT

8:30pm EDT

 
Thursday, October 21
 

11:00am EDT

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7:00pm EDT

8:00pm EDT

 
Friday, October 22
 

12:00pm EDT

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Saturday, October 23
 

11:30am EDT

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Tuesday, October 26
 

11:00am EDT

12:35pm EDT

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Wednesday, October 27
 

11:00am EDT

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Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Audio Watermarking Technique Integrating Spread Spectrum and CNN-autoencoder On-DemandNoha Korany • Namat Elboghdadly • Mohamed Elabdein Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle Measuring Voice Coil Temperature using Ultrasonic Pilot Tones On-DemandTobias Fritsch • Johannes Fried Production Tools for the MPEG-H Audio System On-DemandYannik Grewe • Philipp Eibl • Daniela Rieger • Ulli Scuda Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function On-DemandJustin Mathew • Lukasz Januszkiewicz • Maria Pensko • Mark Hertensteiner • Remi Audray Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking On-DemandYue Qiao • Edgar Choueiri Recreating complex soundscapes for audio quality evaluation On-DemandDamian Koszewski • Jan Banas • Przemyslaw Maziewski • Pawel Trella • Pawel Pach • Piotr Klinke • Dominik Stanczak • Maciej Kuklinowski Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman WaveBeat: End-to-end beat and downbeat tracking in the time domain On-DemandChristian J. Steinmetz • Joshua Reiss 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk A Neural Beamforming Front-end for Distributed Microphone Arrays On-DemandJonathan Ziegler • Leon Schröder • Andreas Koch • Andreas Schilling AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Analysis of a Unique Pingable Circuit: The Gamelan Resonator On-DemandEzra J. Teboul • Kurt James Werner Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats On-DemandSunil Bharitkar • Allan Devantier • Carlos Tejeda-Ocampo • Carren Wang • Will Saba Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Deconvolution of Room Impulse Responses from Simultaneous Excitation of Loudspeakers On-DemandSunil Bharitkar Defining reverberation plugin structure: A comparative exploration of system design and expert knowledge in an audio education context On-DemandKevin Garland • Malachy Ronan Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Forensic Handling of User Generated Audio Recordings On-DemandRob Maher • Benjamin Miller • Fraser Robertson Implementing and Evaluating a Higher-order Ambisonic Sound System in a Multi-purpose Facility: A Lab Report On-DemandAnıl Çamcı • Sam Smith • Seth Helman Informed postprocessing for auditory roughness removal for low-bitrate audio coders On-DemandSteven Van De Par • Sascha Disch • Andreas Niedermeier • Bernd Edler Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDr. Doyuen Ko • Jim Kaiser • Wesley Bulla Phoneme Mappings for Online Vocal Percussion Transcription On-DemandAlejandro Luezas • Charalampos Saitis • Mark Sandler Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments On-DemandEoin Callery • Jonathan Abel • Kyle Spratt
 
Friday, October 29
 

9:00pm EDT

 
Sunday, October 31
 

12:00pm EDT

12:30pm EDT

2:00pm EDT

 
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