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Milton Foster

Music Recording & Mix Engineer, Sound Designer & Dialogue Mixer
Kingston, JM

Contact Me

Monday, October 11
 

11:15am EDT

12:15pm EDT

1:15pm EDT

 
Tuesday, October 12
 

1:00pm EDT

2:30pm EDT

 
Wednesday, October 13
 

1:00pm EDT

2:00pm EDT

5:00pm EDT

 
Saturday, October 16
 

2:00pm EDT

3:30pm EDT

 
Wednesday, October 20
 

12:15pm EDT

3:00pm EDT

4:00pm EDT

6:00pm EDT

6:30pm EDT

7:30pm EDT

8:30pm EDT

 
Thursday, October 21
 

11:00am EDT

1:00pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

8:00pm EDT

 
Friday, October 22
 

12:00pm EDT

2:15pm EDT

3:00pm EDT

4:00pm EDT

5:00pm EDT

6:00pm EDT

7:00pm EDT

 
Saturday, October 23
 

11:30am EDT

1:30pm EDT

3:00pm EDT

4:00pm EDT

6:30pm EDT

 
Tuesday, October 26
 

11:00am EDT

2:00pm EDT

3:00pm EDT

 
Wednesday, October 27
 

2:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

Audio Watermarking Technique Integrating Spread Spectrum and CNN-autoencoder On-DemandNoha Korany • Namat Elboghdadly • Mohamed Elabdein Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Developing plugins for your ears On-DemandGary A. Spittle MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDr. Doyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Transdisciplinarity in Sound Design and Music Composition for Film Post-Production: an Experiential Remote Learning Case Study On-DemandRodrigo Meirelles • Fernanda Navarro • Janaki Cedanna Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording On-DemandPaul Geluso • Kerri Chandler • Cale Michaels Bonderman Application of AI techniques for nonlinear control of loudspeakers On-DemandYuan Li • Pascal Brunet • Glenn Kubota • Aaquila Mariajohn Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki Forensic Handling of User Generated Audio Recordings On-DemandRobert C. Maher • Benjamin Miller • Fraser Robertson Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy On-DemandJiayue Cecilia Wu • Ashell Fox The influence of stage acoustics on the singers' performance and perception: A pilot study On-DemandKajornsak Kittimathaveenan • Munhum Park Tools For Visual Thinking: Teaching Electronic Music On-DemandGraham Spice
 
Friday, October 29
 

9:00pm EDT

 
Sunday, October 31
 

12:00pm EDT

2:00pm EDT

 
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