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Masataka Nakahara

Acoustic Designer / Acoustician
Masataka Nakahra is an acoustician specializing in studio acoustic design and R&D work on room acoustics, as well as an educator. 
After studying acoustics at the Kyushu Institute of Design, he joined SONA Corporation and began his career as an acoustic designer. 
In 2005, he received a PhD in acoustics from the Kyushu University, and founded ONFUTURE Ltd. to start R&D work on acoustics. In addition to his design work, he also develops acoustic measurement and analysis tools etc. 
He has taught acoustics at the Tokyo University of the Arts and the Institute of Sound and Arts. 
He served as a Governor of the AES from 2016 to 2018. He has also been a director of the Japan Section since 2002, and served as Section Chair in 2009. He received the Japan Award from the Japan Section in 2013 for his contributions to the audio industry. He has contributed to many international and regional conferences / conventions as a committee member.
Monday, October 11

1:15pm EDT

Tuesday, October 12

1:00pm EDT

Wednesday, October 13

11:30am EDT

Saturday, October 16

3:30pm EDT

Wednesday, October 20

3:00pm EDT

8:30pm EDT

Thursday, October 21

8:00pm EDT

Tuesday, October 26

12:35pm EDT

Wednesday, October 27

11:00am EDT

2:00pm EDT

Thursday, October 28

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Binaural mixing of popular music On-DemandHyunkook Lee • Pablo Abehsera Morell Impression evaluation of mixed acoustic signals with different spatial acoustic characteristics On-DemandShota Okubo • Toshiharu Horiuchi Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDoyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Power Efficiency of Capacitive MEMS Speakers On-DemandLutz Ehrig • Hermann Schenk • Jorge Mario Monsalve Guaracao • Anton Melnikov 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models On-DemandAdrian Celestinos • Yuan Li • Victor Manuel Chin Lopez Deconvolution of Room Impulse Responses from Simultaneous Excitation of Loudspeakers On-DemandSunil G. Bharitkar Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDoyuen Ko • Jim Kaiser • Wesley Bulla Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments On-DemandEoin Callery • Jonathan Abel • Kyle Spratt
Friday, October 29

9:00pm EDT

Sunday, October 31

12:00pm EDT

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