Loading…
avatar for Kimio Hamasaki

Kimio Hamasaki

ARTSRIDGE LLC
President
Japan
Kimio Hamasaki, AES fellow, is a producer and balance engineer of music recording, a researcher on spatial audio, an educator on audio engineering and acoustics as well as a consultant in audio engineering. He had recorded and produced many orchestral and operatic works by the Vienna Philharmonic Orchestra, Bavarian State Opera, NHK Symphony Orchestra, and other famous domestic and international performing groups in 2.0, 5.1, 9.1, 11.1, and 22.2 multichannel sound. He developed equipment for digital audio recording, microphone-techniques for natural immersive sound recording such as the Hamasaki-Square and Hamasaki-Cube, as well as the advanced spatial audio system such as the 22.2 multichannel sound system. He has many years of experience in international standardization related to audio technology at AES, SMPTE, and IEC. Kimio Hamasaki was the AES Vice President for the International Region (2009 - 2013) and has served as the AES Governor (2006 - 2008). He also chaired the AES Japan Section (2006 - 2007), the AES 11th Regional Tokyo Convention in 2003, and co-chaired the AES 40th International Conference in 2010. He is currently co-chair of the AES Technical Committee on Broadcasting and Online Delivery, vice-chair of the AES Technical Committee on Recording Technologies and Practices, a guest lecturer at Tokyo University of the Arts, and president at ARTSRIDGE LLC.


Wednesday, October 20
 

1:30pm EDT

8:30pm EDT

 
Thursday, October 21
 

2:00pm EDT

3:00pm EDT

7:00pm EDT

8:00pm EDT

 
Friday, October 22
 

12:00pm EDT

2:00pm EDT

3:00pm EDT

5:00pm EDT

7:00pm EDT

 
Saturday, October 23
 

7:30pm EDT

 
Tuesday, October 26
 

1:00pm EDT

2:00pm EDT

 
Wednesday, October 27
 

12:00pm EDT

 
Thursday, October 28
 

9:00pm EDT

An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D On-DemandMichael Matsakis • Parichat Songmuang • Paul Geluso Impression evaluation of mixed acoustic signals with different spatial acoustic characteristics On-DemandShota Okubo • Toshiharu Horiuchi MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music On-DemandYannik Grewe • Philipp Eibl • Christian Simon • Matteo Torcoli • Daniela Rieger • Ulli Scuda Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics'' On-DemandDr. Doyuen Ko • Lu Xuan • Sungyoung Kim • Miriam Kolar Subjective Assessment of Multichannel Audio on a Tablet Computer On-DemandJoshua Reiss • Fesal Toosy • Muhammad Sarwar Ehsan 3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production On-DemandJack Kelly • Richard King • Wieslaw Woszczyk A Neural Beamforming Front-end for Distributed Microphone Arrays On-DemandJonathan Ziegler • Leon Schröder • Andreas Koch • Andreas Schilling AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework On-DemandWoo Hyun Nam • Tammy Lee • Sang Chul Ko • Yoonjae Son • Hyun Kwon Chung • Kyung-Rae Kim • Jungkyu Kim • Sunghee Hwang • Kyunggeun Lee Binaural Audio Externalization Processing On-DemandJean-Marc Jot • Alexey Lukin • Kurt James Werner • Evan Allen Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction. On-DemandJosua Dillier • Hanna Järveläinen Effects of Near-field Sources on Ambisonics Recording and Playback On-DemandRaimundo Gonzalez • Archontis Politis • Tapio Lokki On the comparison of flown and ground-stacked subwoofer configurations regarding noise pollution On-DemandEtienne Corteel • Thomas Mouterde Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios On-DemandDr. Doyuen Ko • Jim Kaiser • Wesley Bulla Spatial auditory masking between real sound signals and virtual sound images On-DemandMasayuki Nishiguchi • Soma Ishihara • Kanji Watanabe • Koji Abe • Shouichi Takane
 
Friday, October 29
 

9:00pm EDT

 
  • Timezone
  • Filter By Date AES Fall Online Convention Oct 11 -31, 2021
  • Filter By Venue Online
  • Filter By Type
  • Acoustics & Psychoacoustics
  • Applications in Audio
  • Archiving & Restoration
  • Audio Builders Workshop
  • Audio for Cinema
  • Broadcast & Online Delivery
  • Diversity & Inclusion
  • E-Briefs on-demand
  • Education
  • Electronic Dance Music
  • Electronic Instrument Design & Applications
  • Game Audio & XR
  • Hip-Hop/R&B
  • Historical
  • Immersive Music
  • Immersive & Spatial Audio
  • Networked Audio
  • Papers on-demand
  • Recording & Production
  • Sound Reinforcement
  • Special Event
  • Tech Tours
  • Technical Committee Meeting
  • Company
  • Subject
  • Area