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Acoustics & Psychoacoustics
Applications in Audio
Archiving & Restoration
Audio Builders Workshop
Audio for Cinema
Broadcast & Online Delivery
Diversity & Inclusion
E-Briefs on-demand
All
Applications in audio
Listening tests and case-studies
Multichannel and spatial audio processing and applications
Spatial audio applicatons
Transducers
Education
Electronic Dance Music
Electronic Instrument Design & Applications
Game Audio & XR
Hip-Hop/R&B
Historical
Immersive Music
Immersive & Spatial Audio
Networked Audio
Papers on-demand
All
Applications in audio
Architectural Acoustis
Audio Signal Processing
Audio and Education
Audio quality
Evaluation of spatial audio
Forensic audio
Multichannel and spatial audio processing and applications
Transducers
Recording & Production
Sound Reinforcement
Special Event
Tech Tours
Technical Committee Meeting
Company
L-Acoustics
Subject
Applications in audio
Architectural Acoustis
Audio and Education
Audio quality
Audio Signal Processing
Evaluation of spatial audio
Forensic audio
Listening tests and case-studies
Multichannel and spatial audio processing and applications
Spatial audio applicatons
Transducers
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Monday
, October 11
Streamcast
11:15am •
Dead Tech: Is Anything Ever Really Obsolete?
12:15pm •
MIDI 2.0: What’s New and How it Will Affect the Way We Work
1:15pm •
AES TechTour: The Power Station/Berklee NYC
2:00pm •
User Experience Design in Electronic Instruments
3:00pm •
Keynote: The Soul of the Machine: Do Electronic Instruments Have a Personality? A Conversation with Dave Smith and Marcus Ryle
4:00pm •
Prototyping New Instrument Designs with Open Source Microprocessor Platforms
Tuesday
, October 12
Streamcast
1:00pm •
Sound System Optimization: The Good, Bad and the Ugly (optimization techniques when you have two days, two hours or two minutes)
2:30pm •
Finding the Path: Knowledge, Learning, and Professional Curiosity in Audio
Wednesday
, October 13
Streamcast
11:30am •
“Mission Completed!” Radio Kingston’s Five-Year Design/Build Program Raises the Bar for Broadcast Radio Facility Design
1:00pm •
Maintenance, Troubleshooting and Training
2:00pm •
Spatial Audio in Podcasting
3:00pm •
Using SNMP
4:00pm •
Advantages of using Metadata
5:00pm •
Stream Monitoring: Media Operations in the Digital Age
Saturday
, October 16
Streamcast
2:00pm •
YouTube: A DIY Playground
3:30pm •
Practical Soldering Skills for the Studio
Sunday
, October 17
Streamcast
1:00pm •
Reduce, Reuse, Resolder
2:30pm •
Build Your Own Metronome/Filter: DIY Workshop
Wednesday
, October 20
Stream A
11:00am •
Fraunhofer Presentation
12:00pm •
Opening Ceremonies
12:15pm •
All About Stereo Panning
12:30pm •
Keynote: Peter Asher
1:30pm •
Best Paper: Perceptual Evaluation of Interior Panning Algorithms Using Static Auditory Events
2:00pm •
RF: Regulatory Considerations & Alternative Spectrum
3:00pm •
4 Bars and More: The Techniques Behind Arranging EDM
4:00pm •
NFT Tutorial: “Let’s Drop An NFT!”
5:00pm •
Harlem School Of The Arts’ New Performance Venue A Multi-Faceted Educational Gem
Stream B
3:00pm •
The Secret Life of Low Frequencies
4:00pm •
Social Media and the Modern EDM Artist
5:00pm •
Case Study: Distance Collaboration Demonstration with the Blue Note Entertainment Group
6:00pm •
Audio in the WAN / Cloud
6:30pm •
Case Studies: Innovative Live Sound Design with the Dante AV-over-IP Solution
7:30pm •
Avoiding the Pigeon-Hole
8:30pm •
Next Generation Audio for Advanced Music Creations and Distributions - Part 2
Thursday
, October 21
Stream A
11:00am •
A Deep Dive into DAW Digits: Can Floating Point Save You?
12:00pm •
Loudspeaker Work-Bench Measurements
1:00pm •
Platinum Engineers
2:00pm •
Keynote: Poppy Crum - Enhancing Human Capabilities: A Sound Future
3:00pm •
Guidelines for Stream Loudness
4:00pm •
Platinum Producers
Stream B
3:00pm •
How YOU Are Protecting Legacies: Topline Results from the Recording Academy P&E Wing and Iron Mountain Entertainment Services Survey
4:00pm •
AES TechTour: The Power Station/Berklee NYC - Special Encore Presentation
4:15pm •
AESTechTour: Blackbird Studios - Special Encore Presentation
5:00pm •
D&I Town Hall
6:00pm •
Case Studies: Deploying Audio Networks for Live Sound Applications Using Milan
7:00pm •
Tutorial: What does it take to write a paper for the Journal of the Audio Engineering Society?
8:00pm •
New Developments In Small Room Acoustics – Accent of The “e-Studio” + Innovative Predictive Software e.g. NIRO™
Friday
, October 22
Stream A
11:00am •
The Recording Academy P&E Wing presents "Whose Job Is It Anyway?"
12:00pm •
Streaming: Mastering, Preparation, Aggregation, Distribution and Delivery of Files
2:00pm •
Keynote: John McBride with Chuck Ainlay
3:00pm •
Evolving Production Trends
4:00pm •
Mastering Mastering
5:00pm •
It’s not just audio anymore – understanding how to mix audio, with lighting and video
7:30pm •
Remote Podcast Production: How New Audio Technologies are Opening the Door to More Storytelling
Stream B
2:15pm •
Examining the tools and techniques for live performance in a DAW
3:00pm •
Heyser Memorial Lecture: Frequency Modulation Sound Synthesis
4:00pm •
Alicia Keys: Immersive Re-Imagining
5:00pm •
Keynote: FINNEAS with Jack Douglas
6:00pm •
"It SOUNDS Just Like a Telefunken U-47"
7:00pm •
How to Teach Music Mixing
8:00pm •
Tickets For Doomsday - A discussion of a reissue from capture to shrink-wrap
Saturday
, October 23
Stream A
11:30am •
Sensational Envelopment
12:15pm •
AES TechTour: Skywalker Sound
1:00pm •
Best Student Paper: InSE-NET: A Perceptually Coded Audio Quality Model based on CNN
1:30pm •
Platinum Mastering: Mastering Immersive Audio
3:00pm •
Anatomy of a Hit Album Under Quarantine - Harmonium Symphonique
4:00pm •
In-car Acoustic Measurements
Stream B
3:00pm •
What Defines 'Audio for Cinema' - State of Play
4:00pm •
Archiving Hip-Hop in Theory and Practice
5:00pm •
Archival Albums: Curation, Preservation, and Mastering
6:00pm •
AES TechTour: The Power Station/Berklee NYC - Special Encore Presentation
6:15pm •
AES TechTour: The Village Studios - Special Encore Presentation
6:30pm •
Hip-Hop Mixing for a Theater Audience
7:30pm •
Understanding Audio for SMPTE 2110
Tuesday
, October 26
Stream A
11:00am •
Envelopment in Immersive Productions
12:00pm •
The new Spatial Audio Designer Vers. 3.0 upgrade
12:35pm •
AES TechTour: Worre Studios
1:00pm •
Immersive Monitoring Inside Immersive Mixing
2:00pm •
Multi-microphone setups for music, using beamforming technology from single Ambisonics microphone arrays: from recording to mixing
3:00pm •
Hardware Monitoring Solutions in Immersive
Wednesday
, October 27
Stream A
11:00am •
Spatial Audio Rendering for Interoperable XR Applications in the Audio Metaverse
12:00pm •
Utilizing the ADM-OSC Streaming Protocol for Interoperability Among Immersive Audio Systems
1:00pm •
When stars come down to earth
2:00pm •
Immersive Audio: Trends & Challenges
3:00pm •
Metasounds in Unreal5
Thursday
, October 28
On-Demand
9:00pm •
Acoustic Decoupling Device in Coaxial Compression Driver
9:00pm •
Quantifying HRTF Time and Spectral Precision using Interaural Transfer Function
9:00pm •
Informed postprocessing for auditory roughness removal for low-bitrate audio coders
9:00pm •
Using Ambisonic Microphone as Spot Microphones in an Ensemble Recording
9:00pm •
Overview and Comparison of Acoustical Characteristics in Three Historically Significant Nashville Recording Studios
9:00pm •
Implementing and Evaluating a Higher-order Ambisonic Sound System in a Multi-purpose Facility: A Lab Report
9:00pm •
An Open Source Turntable for Electro-Acoustical Devices Characterization
9:00pm •
Objective-oriented method for uniformation of various directivity representations
9:00pm •
Integrating Vibrato Into Artificial Reverberation
9:00pm •
Application of AI techniques for nonlinear control of loudspeakers
9:00pm •
Binaural mixing of popular music
9:00pm •
Transducer design considerations for slim TV applications.
9:00pm •
Teaching Modular Synth & Sound Design Online During COVID-19: Maximizing Learning Outcomes Through Open-source Software and Student-centered Pedagogy
9:00pm •
On the comparison of flown and ground-stacked subwoofer configurations regarding noise pollution
9:00pm •
Comparison of different techniques for recording and postproduction using main-microphone arrays for binaural reproduction.
9:00pm •
Effects of Near-field Sources on Ambisonics Recording and Playback
9:00pm •
Best Paper
9:00pm •
Developing plugins for your ears
9:00pm •
Recreating complex soundscapes for audio quality evaluation
9:00pm •
WaveBeat: End-to-end beat and downbeat tracking in the time domain
9:00pm •
Power Efficiency of Capacitive MEMS Speakers
9:00pm •
Production Tools for the MPEG-H Audio System
9:00pm •
A Neural Beamforming Front-end for Distributed Microphone Arrays
9:00pm •
Measuring Voice Coil Temperature using Ultrasonic Pilot Tones
9:00pm •
Response clustering in loudspeaker radiation balloons
9:00pm •
Audio-Source Rendering on Flat-Panel Loudspeakers with Non-Uniform Boundary Conditions
9:00pm •
Spatial auditory masking between real sound signals and virtual sound images
9:00pm •
Effect of Flicker Noise on Audio Signal Reproduction
9:00pm •
Audio Watermarking Technique Integrating Spread Spectrum and CNN-autoencoder
9:00pm •
Automatic Classification of Enclosure-Types for Electrodynamic Loudspeakers
9:00pm •
Parametric Array Using Amplitude Modulated Pulse Trains: Experimental Evaluation of Beamforming and Single Sideband Modulation
9:00pm •
MPEG-H Audio production workflows for a Next Generation Audio experience in broadcast, streaming and music
9:00pm •
The influence of stage acoustics on the singers' performance and perception: A pilot study
9:00pm •
Analysis of a Unique Pingable Circuit: The Gamelan Resonator
9:00pm •
AI 3D immersive audio codec based on content-adaptive dynamic down-mixing and up-mixing framework
9:00pm •
Forensic Handling of User Generated Audio Recordings
9:00pm •
Binaural Audio Externalization Processing
9:00pm •
The effect of user's hands on mobile device frequency response, Part 1
9:00pm •
Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments
9:00pm •
Real-time Implementation of the Spectral Division Method for Binaural Personal Audio Delivery with Head Tracking
9:00pm •
An Approach for Capturing Multi-Directional Radiation Characteristics of Sound Sources for 3D
9:00pm •
Perceptual evaluation of a new, portable three-dimensional recording technique: ``W-Ambisonics''
9:00pm •
Mayflower & The Seven Seas: Sonification of The Ocean
9:00pm •
Gunshot Detection Systems: Methods, Challenges, and Can they be Trusted?
9:00pm •
Subjective Assessment of Multichannel Audio on a Tablet Computer
9:00pm •
3D Impulse Response Convolution with Multichannel Direct Sound: Assessing Perceptual Equivalency between Room- and Source- Impression for Music Production
9:00pm •
Deconvolution of Room Impulse Responses from Simultaneous Excitation of Loudspeakers
9:00pm •
Bit Rate Requirements for an Audio Codec for Stereo, Surround and Immersive Formats
9:00pm •
Phoneme Mappings for Online Vocal Percussion Transcription
9:00pm •
Evaluating the Relationship Between Kurtosis Loss and Spectral Insertion Loss for Musicians' Hearing Protection Devices
9:00pm •
Material models in loudspeakers using frictional elements
9:00pm •
Defining reverberation plugin structure: A comparative exploration of system design and expert knowledge in an audio education context
9:00pm •
Automatic Loudspeaker Room Equalization Based On Sound Field Estimation with Artificial Intelligence Models
9:00pm •
Impression evaluation of mixed acoustic signals with different spatial acoustic characteristics
9:00pm •
Transdisciplinarity in Sound Design and Music Composition for Film Post-Production: an Experiential Remote Learning Case Study
9:00pm •
Interactive Application to Control and Rapid-prototype in a Collaborative Immersive Environment
9:00pm •
Tools For Visual Thinking: Teaching Electronic Music
Friday
, October 29
On-Demand
9:00pm •
Archiving the '90s (the '80s Edition)
9:00pm •
Deep Learning for Audio Signal Processing, with Python and Pytorch Examples Tutorial
9:00pm •
Smaller, louder, smarter - loudspeaker design in the 21st century
Saturday
, October 30
Streamcast
12:00pm •
AES Student Recording Competition Final Presentations: Sound for Visual Media
12:30pm •
AES Student Recording Competition Final Presentations: Traditional Acoustic Recording
1:30pm •
AES Student Recording Competition Final Presentations: Traditional Studio Recording
2:30pm •
AES Student Recording Competition Final Presentations: Modern Studio Recording & Electronic Music
Sunday
, October 31
Stream A
5:00pm •
AES TechTour: Grundman Mastering
Streamcast
11:00am •
Building Community in Education
12:00pm •
AES TechTour: The Hideout Recording Studio
12:30pm •
Discussion of Coding in Audio Education
2:00pm •
Immersive Audio in Education
3:30pm •
DEI in Audio Engineering in Higher Education
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Africa/Johannesburg
Africa/Juba
Africa/Kampala
Africa/Khartoum
Africa/Kigali
Africa/Kinshasa
Africa/Lagos
Africa/Libreville
Africa/Lome
Africa/Luanda
Africa/Lubumbashi
Africa/Lusaka
Africa/Malabo
Africa/Maputo
Africa/Maseru
Africa/Mbabane
Africa/Mogadishu
Africa/Monrovia
Africa/Nairobi
Africa/Ndjamena
Africa/Niamey
Africa/Nouakchott
Africa/Ouagadougou
Africa/Porto-Novo
Africa/Sao Tome
Africa/Tripoli
Africa/Tunis
Africa/Windhoek
America/Adak
America/Anchorage
America/Anguilla
America/Antigua
America/Araguaina
America/Argentina/Buenos Aires
America/Argentina/Catamarca
America/Argentina/Cordoba
America/Argentina/Jujuy
America/Argentina/La Rioja
America/Argentina/Mendoza
America/Argentina/Rio Gallegos
America/Argentina/Salta
America/Argentina/San Juan
America/Argentina/San Luis
America/Argentina/Tucuman
America/Argentina/Ushuaia
America/Aruba
America/Asuncion
America/Atikokan
America/Bahia
America/Bahia Banderas
America/Barbados
America/Belem
America/Belize
America/Blanc-Sablon
America/Boa Vista
America/Bogota
America/Boise
America/Cambridge Bay
America/Campo Grande
America/Cancun
America/Caracas
America/Cayenne
America/Cayman
America/Chicago
America/Chihuahua
America/Costa Rica
America/Creston
America/Cuiaba
America/Curacao
America/Danmarkshavn
America/Dawson
America/Dawson Creek
America/Denver
America/Detroit
America/Dominica
America/Edmonton
America/Eirunepe
America/El Salvador
America/Fort Nelson
America/Fortaleza
America/Glace Bay
America/Goose Bay
America/Grand Turk
America/Grenada
America/Guadeloupe
America/Guatemala
America/Guayaquil
America/Guyana
America/Halifax
America/Havana
America/Hermosillo
America/Indiana/Indianapolis
America/Indiana/Knox
America/Indiana/Marengo
America/Indiana/Petersburg
America/Indiana/Tell City
America/Indiana/Vevay
America/Indiana/Vincennes
America/Indiana/Winamac
America/Inuvik
America/Iqaluit
America/Jamaica
America/Juneau
America/Kentucky/Louisville
America/Kentucky/Monticello
America/Kralendijk
America/La Paz
America/Lima
America/Los Angeles
America/Lower Princes
America/Maceio
America/Managua
America/Manaus
America/Marigot
America/Martinique
America/Matamoros
America/Mazatlan
America/Menominee
America/Merida
America/Metlakatla
America/Mexico City
America/Miquelon
America/Moncton
America/Monterrey
America/Montevideo
America/Montserrat
America/Nassau
America/New York
America/Nipigon
America/Nome
America/Noronha
America/North Dakota/Beulah
America/North Dakota/Center
America/North Dakota/New Salem
America/Nuuk
America/Ojinaga
America/Panama
America/Pangnirtung
America/Paramaribo
America/Phoenix
America/Port-au-Prince
America/Port of Spain
America/Porto Velho
America/Puerto Rico
America/Punta Arenas
America/Rainy River
America/Rankin Inlet
America/Recife
America/Regina
America/Resolute
America/Rio Branco
America/Santarem
America/Santiago
America/Santo Domingo
America/Sao Paulo
America/Scoresbysund
America/Sitka
America/St Barthelemy
America/St Johns
America/St Kitts
America/St Lucia
America/St Thomas
America/St Vincent
America/Swift Current
America/Tegucigalpa
America/Thule
America/Thunder Bay
America/Tijuana
America/Toronto
America/Tortola
America/Vancouver
America/Whitehorse
America/Winnipeg
America/Yakutat
America/Yellowknife
Antarctica/Casey
Antarctica/Davis
Antarctica/DumontDUrville
Antarctica/Macquarie
Antarctica/Mawson
Antarctica/McMurdo
Antarctica/Palmer
Antarctica/Rothera
Antarctica/Syowa
Antarctica/Troll
Antarctica/Vostok
Arctic/Longyearbyen
Asia/Aden
Asia/Almaty
Asia/Amman
Asia/Anadyr
Asia/Aqtau
Asia/Aqtobe
Asia/Ashgabat
Asia/Atyrau
Asia/Baghdad
Asia/Bahrain
Asia/Baku
Asia/Bangkok
Asia/Barnaul
Asia/Beirut
Asia/Bishkek
Asia/Brunei
Asia/Chita
Asia/Choibalsan
Asia/Colombo
Asia/Damascus
Asia/Dhaka
Asia/Dili
Asia/Dubai
Asia/Dushanbe
Asia/Famagusta
Asia/Gaza
Asia/Hebron
Asia/Ho Chi Minh
Asia/Hong Kong
Asia/Hovd
Asia/Irkutsk
Asia/Jakarta
Asia/Jayapura
Asia/Jerusalem
Asia/Kabul
Asia/Kamchatka
Asia/Karachi
Asia/Kathmandu
Asia/Khandyga
Asia/Kolkata
Asia/Krasnoyarsk
Asia/Kuala Lumpur
Asia/Kuching
Asia/Kuwait
Asia/Macau
Asia/Magadan
Asia/Makassar
Asia/Manila
Asia/Muscat
Asia/Nicosia
Asia/Novokuznetsk
Asia/Novosibirsk
Asia/Omsk
Asia/Oral
Asia/Phnom Penh
Asia/Pontianak
Asia/Pyongyang
Asia/Qatar
Asia/Qostanay
Asia/Qyzylorda
Asia/Riyadh
Asia/Sakhalin
Asia/Samarkand
Asia/Seoul
Asia/Shanghai
Asia/Singapore
Asia/Srednekolymsk
Asia/Taipei
Asia/Tashkent
Asia/Tbilisi
Asia/Tehran
Asia/Thimphu
Asia/Tokyo
Asia/Tomsk
Asia/Ulaanbaatar
Asia/Urumqi
Asia/Ust-Nera
Asia/Vientiane
Asia/Vladivostok
Asia/Yakutsk
Asia/Yangon
Asia/Yekaterinburg
Asia/Yerevan
Atlantic/Azores
Atlantic/Bermuda
Atlantic/Canary
Atlantic/Cape Verde
Atlantic/Faroe
Atlantic/Madeira
Atlantic/Reykjavik
Atlantic/South Georgia
Atlantic/St Helena
Atlantic/Stanley
Australia/Adelaide
Australia/Brisbane
Australia/Broken Hill
Australia/Darwin
Australia/Eucla
Australia/Hobart
Australia/Lindeman
Australia/Lord Howe
Australia/Melbourne
Australia/Perth
Australia/Sydney
Europe/Amsterdam
Europe/Andorra
Europe/Astrakhan
Europe/Athens
Europe/Belgrade
Europe/Berlin
Europe/Bratislava
Europe/Brussels
Europe/Bucharest
Europe/Budapest
Europe/Busingen
Europe/Chisinau
Europe/Copenhagen
Europe/Dublin
Europe/Gibraltar
Europe/Guernsey
Europe/Helsinki
Europe/Isle of Man
Europe/Istanbul
Europe/Jersey
Europe/Kaliningrad
Europe/Kiev
Europe/Kirov
Europe/Lisbon
Europe/Ljubljana
Europe/London
Europe/Luxembourg
Europe/Madrid
Europe/Malta
Europe/Mariehamn
Europe/Minsk
Europe/Monaco
Europe/Moscow
Europe/Oslo
Europe/Paris
Europe/Podgorica
Europe/Prague
Europe/Riga
Europe/Rome
Europe/Samara
Europe/San Marino
Europe/Sarajevo
Europe/Saratov
Europe/Simferopol
Europe/Skopje
Europe/Sofia
Europe/Stockholm
Europe/Tallinn
Europe/Tirane
Europe/Ulyanovsk
Europe/Uzhgorod
Europe/Vaduz
Europe/Vatican
Europe/Vienna
Europe/Vilnius
Europe/Volgograd
Europe/Warsaw
Europe/Zagreb
Europe/Zaporozhye
Europe/Zurich
Indian/Antananarivo
Indian/Chagos
Indian/Christmas
Indian/Cocos
Indian/Comoro
Indian/Kerguelen
Indian/Mahe
Indian/Maldives
Indian/Mauritius
Indian/Mayotte
Indian/Reunion
Pacific/Apia
Pacific/Auckland
Pacific/Bougainville
Pacific/Chatham
Pacific/Chuuk
Pacific/Easter
Pacific/Efate
Pacific/Enderbury
Pacific/Fakaofo
Pacific/Fiji
Pacific/Funafuti
Pacific/Galapagos
Pacific/Gambier
Pacific/Guadalcanal
Pacific/Guam
Pacific/Honolulu
Pacific/Kiritimati
Pacific/Kosrae
Pacific/Kwajalein
Pacific/Majuro
Pacific/Marquesas
Pacific/Midway
Pacific/Nauru
Pacific/Niue
Pacific/Norfolk
Pacific/Noumea
Pacific/Pago Pago
Pacific/Palau
Pacific/Pitcairn
Pacific/Pohnpei
Pacific/Port Moresby
Pacific/Rarotonga
Pacific/Saipan
Pacific/Tahiti
Pacific/Tarawa
Pacific/Tongatapu
Pacific/Wake
Pacific/Wallis
UTC
Dates
Monday
, October 11
Tuesday
, October 12
Wednesday
, October 13
Thursday
, October 14
Friday
, October 15
Saturday
, October 16
Sunday
, October 17
Monday
, October 18
Tuesday
, October 19
Wednesday
, October 20
Thursday
, October 21
Friday
, October 22
Saturday
, October 23
Tuesday
, October 26
Wednesday
, October 27
Thursday
, October 28
Friday
, October 29
Saturday
, October 30
Sunday
, October 31
Venue
On-Demand
Stream A
Stream B
Streamcast
Session Type
Acoustics & Psychoacoustics
Applications in Audio
Archiving & Restoration
Audio Builders Workshop
Audio for Cinema
Broadcast & Online Delivery
Diversity & Inclusion
E-Briefs on-demand
All
Applications in audio
Listening tests and case-studies
Multichannel and spatial audio processing and applications
Spatial audio applicatons
Transducers
Education
Electronic Dance Music
Electronic Instrument Design & Applications
Game Audio & XR
Hip-Hop/R&B
Historical
Immersive Music
Immersive & Spatial Audio
Networked Audio
Papers on-demand
All
Applications in audio
Architectural Acoustis
Audio Signal Processing
Audio and Education
Audio quality
Evaluation of spatial audio
Forensic audio
Multichannel and spatial audio processing and applications
Transducers
Recording & Production
Sound Reinforcement
Special Event
Tech Tours
Technical Committee Meeting
Other Filters
Company
L-Acoustics
Subject
Applications in audio
Architectural Acoustis
Audio and Education
Audio quality
Audio Signal Processing
Evaluation of spatial audio
Forensic audio
Listening tests and case-studies
Multichannel and spatial audio processing and applications
Spatial audio applicatons
Transducers
Area
E-Brief
Paper
